Luis TristanToledo ca ,1585-1624 | |||
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Louis King of France Distributing Alms (mk05) le Roi de Louis de France Distribuant l-Aumône (mk05) ID de tableau:: 20337 Voir la galerie dans Suède |
Louis King of France Distributing Alms (mk05) le Roi de Louis de France Distribuant l-Aumône (mk05) Canvas,96 1/2 x 72''(245 x 183 cm)Given in 1932 le Canevas, 96 1/2 x 72 › › (245 x 183 cm) Donné dans 1932 Canvas,96_1/2_x_72''(245_x_183_cm)Given_in_1932 |
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The Vision of St.Francis of Assisi (mk05) La Vision de St.Francis d-Assise (mk05) ID de tableau:: 20339 Voir la galerie dans Suède |
The Vision of St.Francis of Assisi (mk05) La Vision de St.Francis d-Assise (mk05) Canvas,49 1/4 x 41''(125 x 104 cm)Given in 1879 le Canevas, 49 1/4 x 41 › › (125 x 104 cm) Donné dans 1879 Canvas,49_1/4_x_41''(125_x_104_cm)Given_in_1879 |
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The Adoration of the Magi ID de tableau:: 62318 Voir la galerie dans Suède |
The Adoration of the Magi 232 x 115 cm Museum of Fine Arts, Budapest Around 1600 the dominant influence in Toledo was that of El Greco. The link with the master was strongest in the distinguished painter Luis Trist?n, who stressed the Tenebrist aspects of some of El Greco's work. Trist?n's development was interrupted by his premature death, but not before he had completed work of such merit as the altarpiece in Yepes (1616) and that of Santa Clara de Toledo which was finished in 1623. The Adoration of the Magi probably formed part of an altarpiece in the Jeronymite Convent of the Queen in Toledo, together with an Adoration of the Shepherds (now in Cambridge), Pentecost (now in Bucharest) and Resurrection (lost). It has the same composition as the Yepes altarpiece, however, the faces of the figures are different 232_x_115_cm_Museum_of_Fine_Arts,_Budapest_Around_1600_the_dominant_influence_in_Toledo_was_that_of_El_Greco._The_link_with_the_master_was_strongest_in_the_distinguished_painter_Luis_Trist?n,_who_stressed_the_Tenebrist_aspects_of_some_of_El_Greco's_work._Trist?n's_development_was_interrupted_by_his_premature_death,_but_not_before_he_had_completed_work_of_such_merit_as_the_altarpiece_in_Yepes_(1616)_and_that_of_Santa_Clara_de_Toledo_which_was_finished_in_1623._The_Adoration_of_the_Magi_probably_formed_part_of_an_altarpiece_in_the_Jeronymite_Convent_of_the_Queen_in_Toledo,_together_with_an_Adoration_of_the_Shepherds_(now_in_Cambridge),_Pentecost_(now_in_Bucharest)_and_Resurrection_(lost)._It_has_the_same_composition_as_the_Yepes_altarpiece,_however,_the_faces_of_the_figures_are_different |
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Adoration of the Magi ID de tableau:: 62319 Voir la galerie dans Suède |
Adoration of the Magi 1620 Oil on canvas Museum of Fine Arts, Budapest It is assumed that the figure at the bottom was painted after a model 1620_Oil_on_canvas_Museum_of_Fine_Arts,_Budapest_It_is_assumed_that_the_figure_at_the_bottom_was_painted_after_a_model |
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1 | Artiste précédent Artiste prochain | |||||||||
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| Luis Tristan | ||||||||||
| Toledo ca ,1585-1624 | ||||||||||
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